ABSTRACT The practice of representing history on film brings the filmmaker into collision with a cluster of concerns around the authentic. While recent articles have considered the historical documentary and historical dramatisation, I seek to extend the debate into narrative fiction film set in historical periods. In this article, I discuss conflicting conceptions of authenticity. Through my own practice-as-research, I examine the decision-making within the preproduction of a historical drama (my short film, The Burning, 2016) in order to demonstrate the ways in which contradictory concepts of authenticity can coexist within a historical film project.

中文翻译：

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电影与真实性：历史电影制作中的焦虑

摘要 在电影中再现历史的做法使电影制作人与围绕真实事物的一系列担忧发生冲突。虽然最近的文章考虑了历史纪录片和历史戏剧化，但我试图将辩论扩展到以历史时期为背景的叙事小说电影。在本文中，我将讨论相互矛盾的真实性概念。通过我自己的实践研究，我检查了一部历史剧（我的短片《燃烧》，2016 年）的前期制作过程中的决策，以展示相互矛盾的真实性概念在一部历史电影中可以共存的方式项目。