ABSTRACT This paper discusses how networked media via the Web is providing the realisation of media hybridisation that began when genres and formats became functions of software. Beginning with an overview of how media formats came together during the twentieth century, the paper argues that the Internet now provides a distribution system that allows for the hyper-hybridisation of media formats alongside more fluid two-way participation than the previous broadcasting and mass distribution models. The paper will look at examples from the author’s own recent work – ongoing video streaming activities with the Royal Shakespeare Company, a ‘virtual gamelan’ for the London Symphony Orchestra, and the Temporal Chaos installation. The paper concludes that our traditional media forms are in a phase of ongoing disruption, which transcend merely updating existing media forms for a digital online era.

中文翻译：

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参与技术：混合网络媒体如何不是（只是）补救

摘要 本文讨论了网络媒体如何通过 Web 实现媒体混合，这种混合始于流派和格式成为软件的功能。该论文首先概述了 20 世纪媒体格式如何融合在一起，认为互联网现在提供了一个分发系统，允许媒体格式的超混合以及比以前的广播和大规模分发更流畅的双向参与楷模。这篇论文将着眼于作者自己最近的作品——与皇家莎士比亚公司正在进行的视频流活动、伦敦交响乐团的“虚拟甘美兰”以及时空混沌装置。该论文的结论是，我们的传统媒体形式正处于持续颠覆的阶段，