With the passing of time, the novel published by Max Aub in Mexico 1958, Jusep Torres Campalans, uncovers itshelf as a mirror where we see the relationship between spanish and french historiography at the time, pertaining the spanish label, the vanguardias and Picasso, Goya and Juan Gris. A valuable addition to studies on the concept of spanish art, and spacifically spanish republican art in exile.

中文翻译：

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通过 Max Aub 对流亡艺术的品味进行分类，他与 Malraux、Jean Cassou 和 50 年代（50 年代）艺术书目的联系

随着时间的推移，Max Aub 于 1958 年在墨西哥出版的小说 Jusep Torres Campalans 将其自身作为一面镜子，在那里我们看到了当时西班牙和法国史学之间的关系，涉及西班牙标签、先锋和毕加索、戈雅和胡安·格里斯。对西班牙艺术概念和流放的西班牙共和主义艺术概念研究的宝贵补充。