The Spanish Civil War caused the largest diaspora of contemporary Spain. Within the consequences of this dispersion, this paper proposes to analyze the transformations that took place in the painting of muralist Jose Vela Zanetti. However, in order to delineate the artist’s progress and the different painting techniques that he assumed in the Dominican Republic, where his mandatory exile took him, it is important to start from the stage that preceded it, both at a personal level and at that of changing contexts. Methodologically, this paper is approached from the viewpoint of social and cultural history, with two basic conceptual pillars: transculturation and cultural transfer . The analysis of numerous sources has allowed us to learn about the multiple influences and feedbacks that occurred from the perspective of the exile and the host country, so as to stimulate debate about the artistic transformations of exiled painters and Dominican artists in 1940’s.

中文翻译：

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贝拉·萨内蒂（Vela Zanetti）画作中的西班牙内战和多米尼加流亡

西班牙内战造成了当代西班牙最大的侨民。在这种分散的后果中，本文建议分析壁画家何塞·贝拉·萨内蒂 (Jose Vela Zanetti) 绘画中发生的转变。然而，为了描绘艺术家的进步和他在多米尼加共和国所采用的不同绘画技巧，在他被强制流放的地方，重要的是从之前的阶段开始，无论是在个人层面还是在不断变化的背景。在方法论上，本文从社会和文化史的角度进行研究，具有两个基本概念支柱：跨文化和文化转移。对众多来源的分析让我们从流亡者和东道国的角度了解了发生的多重影响和反馈，