Launched in 1917, Victor Sj€ ostr€ om’s famous film adaptation of Ibsen’s “Terje Vigen” celebrated its centenary in 2017 (Sj€ ostr€ om 2006).The film was directed by the highly regarded Swedish artist Victor Sj€ ostr€ om, who also played the leading role. In the film, which was a huge success worldwide, the Norwegian coastal landscape is portrayed in imposing and powerful nature imagery. Sj€ ostr€ om was a pioneer in developing the use of landscape imagery in fiction filmmaking. This article deals with the film as an adaptation of Ibsen’s epic poem, and the main focus will be on the representation of nature in the film. How is nature exploited? How do the nature pictures relate to still landand seascapes of the pictorial art tradition? What symbolic and ideologic functions do they have? The overall argument is that Sj€ ostr€ om’s film, through its strong emphasis on nature, atmospherics and emotions as well as drama, complicates the heroism of Terje Vigen, and, moreover, that this actually picks up on something that is latent in Ibsen’s poem.

中文翻译：

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自然、悲情、英雄主义：维克多·舍斯特罗姆 (Victor Sjöström) 改编自易卜生的《Terje Vigen》（1862 年）的无声电影改编版（1917 年）

易卜生的著名电影改编自 1917 年推出，2017 年 (Sj€ ostr€ om 2006) 庆祝其百年诞辰。 这部电影由备受推崇的瑞典艺术家 Victor Sj€ ostr€ om 执导，谁也扮演了主角。这部在全球取得巨大成功的影片以雄伟而有力的自然意象描绘了挪威的沿海景观。Sj€ ostr€ om 是在小说电影制作中开发使用风景图像的先驱。本文将这部电影作为易卜生史诗的改编本，主要关注电影中自然的表现。大自然是如何被开发的？自然图画与图画艺术传统的静海景观有什么关系？它们具有哪些象征和意识形态功能？总体论点是 Sj€ ostr€ om 的电影，