Abstract This article focuses on how Spanish cinema production has echoed the neoliberal Eurozone crisis of 2008 in mainstream (large- and medium-size productions), and in its ‘opposite’ the independent sector, and how the effects of the crisis can be glimpsed (within the independent sector) on music (mostly Punk) documentaries which are not ostensibly about the economy, current politics or even the present. I suggest a course through the different ways in which Spanish cinema has been touched by the crisis: through the films of ‘crisis cinema’ to those that focus on the 1980s and early 1990s and its youth-led and Punk-inspired musical revolutions, via films whose strategy is to address the 2008–17 period in an indirect manner, or to retreat to the pre-2008 past. My ultimate aim is to prove that this seismic change to Spain’s society has forced a re-engagement with the present and the past.

中文翻译：

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2010 年代的西班牙电影：从危机中回到朋克和其他教训

摘要 本文重点介绍西班牙电影制作如何在主流（大中型制作）及其“对立”独立部门中回应 2008 年新自由主义欧元区危机，以及如何瞥见危机的影响（在独立部门内）关于音乐（主要是朋克）纪录片，这些纪录片表面上与经济、当前政治甚至当下无关。我建议开设一门课程，了解西班牙电影受到危机影响的不同方式：从“危机电影”到专注于 1980 年代和 1990 年代早期的电影及其青年主导和朋克风格的音乐革命，通过其策略是以间接方式处理 2008-17 年时期，或退回到 2008 年之前的过去的电影。