There is interest in our era in the topic of sound spatialization, as evidenced by the writings, compositions, and facilities dedicated to the practice. One frequently expressed goal is to elevate space in importance as a compositional parameter. There are many approaches that make this possible, one of which is to create multichannel compositions for listeners who move physically through the presentation space. This article is an examination of such works. This article will discuss several elements in relation to navigable sonic creations using a variety of case studies, including my 96-channel piece for mobile audiences, First Vision.

中文翻译：

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非固定观众的多渠道作品

我们这个时代对声音空间化的主题很感兴趣，专用于实践的著作、作品和设施就证明了这一点。一个经常表达的目标是提升空间作为组成参数的重要性。有许多方法可以使这成为可能，其中之一是为在演示空间中物理移动的听众创建多声道合成。本文是对此类作品的考察。本文将使用各种案例研究讨论与可导航的声音创作相关的几个元素，包括我为移动观众制作的 96 频道作品，First Vision。