Abstract The article deals with some of the most common fears that can manifest in young training analysands during clinical practice. Viewed using a theatrical metaphor, the psychoanalytic situation that develops is conceived as a representation of the conflicts and deep suffering that the patient wishes the therapist to understand and alleviate. The two can be seen as actors who bring to the stage a scene involving both deeply, and which requires the right balance between illusion and reality to be therapeutically effective. The analytic theatre evokes characters that desire to be brought to the stage, and gives life to a drama that demands to be represented through the characters themselves, as happens in the play Six characters in search of an author by Pirandello (1925). Therefore, analysts need to take on a role that they are implicitly required to perform and that can at times be perceived as rather uncomfortable, while in other instances it can be rewarding. Sometimes they are the main character, while in other situations they are the audience; they may be a travel companion or a persecutor.

中文翻译：

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对分期的恐惧：对年轻心理分析师恐惧的思考

摘要 本文讨论了临床实践中年轻受训分析者可能表现出的一些最常见的恐惧。从戏剧性的比喻来看，所发展的精神分析情境被认为是患者希望治疗师理解和减轻的冲突和深刻痛苦的表现。这两个人可以被视为演员，他们将一个涉及两者的场景带到舞台上，这需要在幻觉和现实之间取得适当的平衡才能达到治疗效果。分析戏剧唤起了渴望登上舞台的角色，并为需要通过角色本身来表现的戏剧赋予生命，正如皮兰德罗 (Pirandello) 的《寻找作者的六个角色》(1925) 中所发生的那样。所以，分析师需要承担一个他们被暗中要求履行的角色，有时会被认为相当不舒服，而在其他情况下，这可能是有益的。有时他们是主角，而在其他情况下，他们是观众；他们可能是旅伴或迫害者。