I cannot help but be overwhelmed by a sense of pride and awe for the exceptional list of Tony Albert’s achievements. I have known Tony personally throughout his career as a graduate from the Bachelor of Contemporary Australian Indigenous Art degree at the Queensland College of Art. As the youngest artist to have a survey show in a state institution in Australia, Visible is clearly one of his most significant triumphs to date. What makes this achievement even more significant is the fact that he is Aboriginal. This is especially pertinent given that Albert’s practice blatantly confronts the tenuous postcolonial relationships between museums, galleries and Aboriginal communities in Australia.

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展览：Tony Albert，Visible，昆士兰美术馆，2018 年 6 月 2 日至 10 月 7 日

我不禁为托尼·阿尔伯特 (Tony Albert) 的杰出成就感到自豪和敬畏。在他毕业于昆士兰艺术学院当代澳大利亚土著艺术学士学位的整个职业生涯中，我一直认识他。作为在澳大利亚国家机构举办调查展的最年轻艺术家，Visible 显然是他迄今为止最重要的胜利之一。使这一成就更加重要的是他是原住民这一事实。鉴于阿尔伯特的实践公然直面澳大利亚博物馆、画廊和土著社区之间脆弱的后殖民关系，这一点尤为重要。