TheEuropa Europaanti-nationalist cabaret was created in the run-up to the 2014 Swedish elections by the Ful collective in collaboration with ‘house band’ the Knife. Part rally and part concert,Europa Europaresponds to the Sweden Democrats party's anti-immigrant propaganda specifically and the migration policies of the European Union more generally, by enacting a kind of ‘no-borders’ politics in a moment of rising nationalisms. The cabaret aims to build a temporary coalition between different but like-minded audiences as an aim distinct from changing minds. This solidarity is also practised by the performers onstage, who use the ambiguous theatrical positioning of migration stories to challenge conventional imaginaries of heroes and criminals. ThroughEuropa Europaand its inheritances, from historical agitprop to the Macarena, this essay extends performance's repertoire as a form in which to practise strategic anti-nationalism, and to engage with friction in the process.

中文翻译：

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执行反民族主义：与欧罗巴歌舞表演的团结、闪光和无国界政治

这欧罗巴欧罗巴反民族主义歌舞表演由 Ful 集体与“家庭乐队”the Knife 在 2014 年瑞典大选前夕创建。部分集会和部分音乐会，欧罗巴欧罗巴通过在民族主义抬头的时刻制定一种“无国界”政治，具体回应了瑞典民主党的反移民宣传和更广泛的欧盟移民政策。歌舞表演旨在在不同但志同道合的观众之间建立一个临时联盟，作为与改变思想不同的目标。这种团结也体现在舞台上的表演者身上，他们利用移民故事的模糊戏剧定位来挑战英雄和罪犯的传统想象。通过欧罗巴欧罗巴及其继承，从历史的煽动到马卡雷纳，这篇文章扩展了表演的曲目，作为一种实践战略性反民族主义的形式，并在这个过程中参与摩擦。