This article examines the legacy of Syrian dramatist Saadallah Wannous through his early commitment to internationalism, with specific attention to his practice as a translator. It argues that to see Wannnous as an international playwright allows for an understudied dimension of the playwright's oeuvre to emerge and sheds light on an important era of post-colonial theatrical practice. By focusing on one of Wannous's most-staged plays, his adaptation of a little-known Peter Weiss play, the article places Wannous in his historical moment and sees how he was affected not just by international developments in theatre and performance, but also by a global geopolitics in which he was deeply invested.

中文翻译：

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巡回剧院：萨达拉·万努斯在本地与国际之间的旅程

本文通过早期致力于国际主义的叙利亚剧作家萨达拉·万努斯（Saadallah Wannous），特别关注他作为翻译的实践，探讨了他的遗产。它认为，将 Wannnous 视为国际剧作家允许剧作家的一个未被充分研究的维度作品出现并阐明后殖民戏剧实践的重要时代。通过关注 Wannous 上演最多的戏剧之一，他改编了一部鲜为人知的 Peter Weiss 戏剧，这篇文章将 Wannous 置于他的历史时刻，并了解他如何不仅受到戏剧和表演的国际发展的影响，而且还受到他深入研究的全球地缘政治。