The article shows that the well-established association of the flaneur with art, artists is mistaken by reviewing the major primary source texts. It offers an alternative reading of the invention of the flaneur, arguing that it is rooted in early 19th-century journaliastic practices, designed to deal with censorship, and to express political opposition through urban observation.

中文翻译：

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不可靠的证人：十九世纪巴黎的TheFlâneuras艺术家和艺术旁观者

这篇文章表明，通过审查主要的主要来源文本，流浪者与艺术、艺术家之间建立的联系是错误的。它为流浪者的发明提供了另一种解读，认为它植根于 19 世纪早期的新闻实践，旨在应对审查制度，并通过城市观察表达政治反对。