Dante's Commedia provides a performative eschatology or “apocalyptic specularity” that shows well how to keep concerns for apophasis, imagination, and salvation in balance. His literary appreciation for mirroring enables him to re-present and imitate revelation. Displaying a metaphysically robust imagination, Dante's eschatology is akin to the biblical genre of apocalypse. Dantean analogy—personal and historical while theological and apocalyptical—resists tendencies to account for theology in reducibly negativist terms. The Divine Comedy hopes for the salvation of Narcissus, whose figure reflects the “everyman,” who would furthermore reflect even the triune God.

中文翻译：

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但丁末世论中的启示性镜面：水仙与救赎的想象

但丁的喜剧提供了一种表演性的末世论或“世界末日的镜面反射”，它很好地展示了如何平衡对失明、想象和救赎的担忧。他对镜像的文学欣赏使他能够重新呈现和模仿启示。但丁的末世论展现了形而上学上强大的想象力，类似于启示录的圣经类型。但丁类比——个人的和历史的，而神学的和世界末日的——抵制用可简化的否定主义术语来解释神学的倾向。神曲寄希望于那喀索斯的救赎，他的形象反映了“普通人”，更进一步反映了三位一体的上帝。