In this article, I investigate the significance of contemporary Tamil temple signs that have been laid, hung, and sometimes painted over earlier stone inscriptions. I am particularly interested in the following questions: What is the purpose of these old and new signs? And how does their existence contribute to the devotional program of a temple? While signs appear everywhere within a temple complex and come in a wide variety of materials, I argue that their impact is not found at the level of an individual signboard. Instead, the significance of southeast Indian temple signs is found in the fullness of the walls and their non-linear refrains to events, values, communities, and scenes for the worship of the deity. To make this argument, I draw from affect theory, material studies, and especially concepts of accumulation and saturation.

中文翻译：

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饱和空间，南印度寺庙奉献的迹象

在本文中，我调查了在早期石刻上铺设、悬挂、有时涂漆的当代泰米尔寺庙标志的重要性。我对以下问题特别感兴趣：这些新旧标志的目的是什么？他们的存在对寺庙的奉献计划有何贡献？虽然标志在寺庙建筑群中随处可见，并且材料种类繁多，但我认为它们的影响不是在单个招牌的层面上发现的。相反，印度东南部寺庙标志的重要性体现在墙壁的丰满度及其对事件、价值观、社区和崇拜神灵场景的非线性限制中。为了提出这个论点，我借鉴了情感理论、材料研究，尤其是积累和饱和的概念。