Abstract:

During the interwar period, Buenos Aires established itself as a Jewish city of international cultural relevance. In the 1930s in particular, a rich Yiddish theatre circuit was developed and supported by the city’s large population of Yiddish-speaking Jews. Buenos Aires soon became a privileged destination in the tours of itinerant Jewish artists and a theatrical center that attracted a large number of Jewish actors and directors seeking to settle on the American continent. This article focuses on the aesthetic conceptions that Jewish artists brought to Argentina and argues that Yiddish theatre served as a modernizing force that deeply influenced the larger theatre scene of Buenos Aires. With its itinerant nature and genuinely international language, Yiddish theatre brought modern ideas, avant-garde aesthetics, and new repertoires.

摘要：

在两次世界大战期间，布宜诺斯艾利斯确立了自己作为具有国际文化意义的犹太城市的地位。特别是在 1930 年代，该市大量讲意第绪语​​的犹太人开发并支持了丰富的意第绪语剧院巡回演出。布宜诺斯艾利斯很快成为巡回犹太艺术家和戏剧中心的首选目的地，吸引了大量寻求在美洲大陆定居的犹太演员和导演。本文重点关注犹太艺术家带到阿根廷的审美观念，并认为意第绪语戏剧是一股现代化的力量，深深影响了布宜诺斯艾利斯的大型戏剧场景。意第绪语戏剧以其流动的性质和真正的国际语言，带来了现代思想、前卫美学和新剧目。