This article develops the concept of emotional affordances, which is first used to describe the capacities of heritage sites to enable, prompt and restrict particular emotional experiences of their visitors. Secondly, the article asks how the emotional affordances of digital media, particularly those taking effect in digital photography and social media practices, allow visitors to mediate the emotional affordances of a particular heritage site. The argument builds on an ethnographic study of visitors’ digital image practices at the ‘Memorial to the Murdered Jews of Europe’ in Berlin and it demonstrates how visitors ‘capture the feeling’ of the memorial through such practices while also reshaping the experiences the place affords.

本文提出了情感启示的概念，该概念首先用于描述遗产地启用、促进和限制游客特定情感体验的能力。其次，文章询问数字媒体的情感启示，尤其是那些在数字摄影和社交媒体实践中产生影响的情感，如何让游客调解特定遗产地的情感启示。该论点建立在对柏林“欧洲被害犹太人纪念碑”中游客数字图像实践的民族志研究的基础上，它展示了游客如何通过这些实践“捕捉”纪念馆的感觉，同时也重塑了这个地方提供的体验.