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Decolonising Responses to ‘Engaged Art’: Disposability and Neoimperialism in Art, Activism and Academia
Bulletin of Latin American Research ( IF 0.8 ) Pub Date : 2021-06-08 , DOI: 10.1111/blar.13270
Giulia Champion 1 , Jessica Wax‐Edwards 2
Affiliation  

This article examines the limits of ‘engaged art’ via two case studies: Vik Muniz's photoseries Pictures of Garbage (2008, Brazil) and Alejandro Cartagena's photoseries Carpoolers (2011–2012, Mexico). Both highlight an ongoing need to decolonise the process of narrative creation and the scholarship/viewership that responds to this form of art. By exploring the different issues that arise when considering ‘engaged art’ alongside the urgent need to decolonise scholarly approaches to such works, the authors consider the literal and metaphorical toxicity of neoliberal societies, and the academic and media discourses analysing art produced in this context.

中文翻译:

对“参与艺术”的非殖民化回应:艺术、行动主义和学术界中的可处置性和新帝国主义

本文通过两个案例研究检验了“参与艺术”的局限性:Vik Muniz 的照片系列Pictures of Garbage(2008 年,巴西)和 Alejandro Cartagena 的照片系列Carpoolers(2011-2012 年,墨西哥)。两者都强调了对叙事创作过程的非殖民化以及对这种艺术形式作出反应的学术/观众的持续需要。通过探讨在考虑“参与艺术”时出现的不同问题以及对此类作品的学术方法非殖民化的迫切需要,作者考虑了新自由主义社会的字面和隐喻毒性,以及分析在这种背景下产生的艺术的学术和媒体话语。
更新日期:2021-06-08
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