This piece is written in liaison with the “writing differently” movement aimed to counter common academic writing through a non-abstract, biographic, embodied account of 10 years as a female, able-bodied disability, and gender researcher. The tone of the article is intentionally kept simple, while its form resembles a memoir. One day, I started to think and type about the times my body felt out of place and many months later this resulted in a timeline of “my body estranged.” I warn the reader in advance: there is nothing particularly shocking about these experiences: they are mostly ordinary and privileged. Anyone interested in the ordinariness of semi-dominant bodies might find the memories relatable. Looking back, one constant bodily ambivalence stands out: loud mind, lips sealed – an abundance of silence and an absence of speaking up. With this writing, I break the silence, in my own voice, a voice free of jargon and abstract vocabulary (Grey & Sinclair, 2006). A voice readable to a broad community and illustrated through ambivalent art work (Figure 1).¹

中文翻译：

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身体健全的残疾学者的体现

这篇文章与“写作不同”运动联系在一起，旨在通过一个非抽象的、传记的、具体的描述作为一名女性、健全的残疾和性别研究人员的 10 年来对抗普通的学术写作。文章的语气刻意保持简单，而其形式类似于回忆录。有一天，我开始思考和打字我的身体感觉不合适的时间，几个月后这导致了“我的身体疏远”的时间表。我提前警告读者：这些经历没有什么特别令人震惊的：它们大多是普通的和特权的。任何对半支配体的平凡感兴趣的人都可能会发现这些记忆是相关的。回想起来，一种持续的身体矛盾突出：大声的头脑，闭上的嘴唇——大量的沉默和缺乏说话。通过这篇文章，我打破了沉默，用我自己的声音，一种没有行话和抽象词汇的声音（Grey & Sinclair, 2006）。一个广泛的社区可读的声音，并通过矛盾的艺术作品来说明（图 1）。¹