Abstract

Two different courtiers are mourned in laments with similar texts that begin ‘Cueurs desolez’. One is a complete rondeau that appears anonymously in a chansonnier of Margaret of Austria, and Pierre de La Rue is the probable composer. The other musical setting is ascribed to Josquin, which provides only the text of a rondeau refrain. The complete text survives in a poetry collection prepared at the French royal court around 1510, Lille, Bibliothèque Municipale, Ms. 402. The full text reveals an acrostic on the family title of Anne de Foix (d.1506), and the rondeau is apparently a lament for her. Josquin is unlikely as the composer, but the newly identified dedicatee sheds fresh light on chronology for the two laments. The study offers a brief survey of acrostics in chanson poetry, and examines particular cases of acrostics and word play in the chansons of Dionisius Prioris. The latter is proposed as a possible composer of the lament for Anne de Foix.

中文翻译：

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Cueurs desolez：Josquin、La Rue 和 Anne de Foix 的哀歌

摘要

两个不同的朝臣以“Cueurs desolez”开头的类似文本哀悼。一个是完整的回旋曲，匿名出现在奥地利玛格丽特的一首香颂中，皮埃尔·德拉鲁是可能的作曲家。另一个音乐背景归因于 Josquin，它仅提供了回旋曲副歌的文本。完整的文本保存在 1510 年左右法国皇家宫廷准备的诗集中，里尔，市政图书馆，402 女士。显然是对她的哀叹。Josquin 不太可能成为作曲家，但新确定的奉献者为这两首哀歌的年表提供了新的线索。该研究对香颂诗歌中的离合词进行了简要调查，并检查了 Dionisius Prioris 的香颂中的离合词和文字游戏的特殊情况。后者被认为是安妮·德·富瓦（Anne de Foix）的哀叹作曲家。