All polyphonic Requiem settings have a commemorative purpose, but none is more multi-layered in its memorializing aims and strategies than that by Jean Richafort (c.1480–c.1550). This piece is unique among Renaissance Requiems in drawing its materials and procedures from an earlier composer’s oeuvre: Richafort mined no fewer than three works by Josquin des Prez. Indeed, Richafort’s Requiem is so deeply indebted to Josquin that Gustave Reese suggested it was ‘written on the death of Josquin’ in 1521.

中文翻译：

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Richafort的安魂曲：超越Josquin

所有复调安魂曲的设置都有一个纪念目的，但没有比让·理查福特 (Jean Richafort) ( c. 1480– c. 1550)在其纪念目标和策略上更加多层次的了。这首作品在文艺复兴时期的安魂曲中是独一无二的，它从早期作曲家的作品中汲取材料和程序：理查福特挖掘了至少三部 Josquin des Prez 的作品。事实上，理查福特的《安魂曲》深深地感谢乔斯金，以至于古斯塔夫·里斯认为它是“写于 1521 年的乔斯金之死”。