Abstract

In 1834 Karl Briullov’s painting The Last Day of Pompeii became the first work of Russian art to attract international attention, earning a first-class medal at the Paris Salon after a laudatory response in Rome and Milan. Its European success made it the most significant Russian painting of the period. Despite its official recognition, its reception in the French press was largely, though not entirely, negative. The painting’s complex reception stemmed from a reassessment of history painting, French perceptions of Italy and Russia during the July Monarchy, and misinformation about Briullov himself.

中文翻译：

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1834年沙龙举行的卡尔·布里乌洛夫（Karl Briullov）庞贝城的最后一天接待会

摘要

1834年，卡尔·布里欧洛夫（Karl Briullov）的画作《庞贝的最后一天》成为俄罗斯艺术界引起国际关注的第一幅作品，在罗马和米兰受到赞誉后，在巴黎沙龙获得了一等奖。它在欧洲的成功使它成为该时期最重要的俄罗斯画作。尽管得到了官方的认可，但它在法国媒体上的接受在很大程度上（尽管不是完全）是负面的。这幅画的复杂接待源于对历史画的重新评估，法国在七月君主制时期对意大利和俄罗斯的看法以及对布里乌洛夫本人的误解。