Abstract

A passage in a letter serves as a starting point for an exploration of the relationship between the philosopher Charles Sanders Peirce and the painter Albert Bierstadt, taking into account their extended friendship, business partnerships, and respective practices of visual representation. The letter contains Peirce’s description of a painting by Bierstadt that he possessed, which sets the stage for an investigation of his systematic philosophy and a comparison of his existential graphs with the oft-noted “effects” of Bierstadt’s grand canvases. The latter, finally, help to unpack the ethical role of visual art within Peirce’s thought.

中文翻译：

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Peirce，Bierstadt和19世纪北美的地形想象力

摘要

考虑到他们的长期友谊，商业伙伴关系以及各自的视觉表现手法，信件中的一段文字是探讨哲学家查尔斯·桑德斯·皮尔斯与画家阿尔伯特·比尔施塔特之间关系的起点。这封信包含皮尔斯对毕尔施塔特（Bierstadt）拥有的一幅画作的描述，这为考察他的系统哲学，将他的存在图与毕尔施塔特（Bierstadt）宏伟的画布的“效应”进行比较奠定了基础。最后，后者有助于在皮尔斯的思想中揭示视觉艺术的伦理作用。