Abstract:

Between 2017 and 2018, amid the centenary of the birth of Violeta Parra, a collective and interdisciplinary creation project had been carried out with three productions (scenic, videographic, and performative) around the life and work of the Chilean artist involving the combination of body, memory, and empathy. In this article we address the methodology of the different parts of the creative process: (1) the scenic one, Color Violeta at the Albéitar theater (Universidad de León, España); (2) the videographic one, with the short Color Violeta: Pliegues de la memoria released in the II International Festival of Expanded Corporality (Buenos Aires, Argentina); and (3) the performative one, Memoria(s) Color Violeta, a gathering of collective improvisation that was formulated as a body approaching the singer-songwriter’s creative imaginary. The processes of body, memory, and empathy that sustain the aesthetics of Violeta Parra energize and expand Chilean popular culture, and this is connected with our own experience. The corporal approach to the memory of the other is revealed to us, in this research, as a possibility for building our own identity.

摘要：

2017年至2018年间，在Violeta Parra诞辰一百周年之际，围绕智利艺术家的生活和工作，开展了一项集体和跨学科的创作项目，涉及智利艺术家的生活和工作的三项作品（风景，录像和表演） ，记忆和同理心。在本文中，我们探讨了创作过程各个部分的方法：（1）风景秀丽的阿尔贝塔尔剧院（西班牙莱昂大学）的彩色维奥莱塔（Color Violeta）；（2）一部录像带，在第二届国际扩大法人节（阿根廷布宜诺斯艾利斯）上发行了短片《色彩缤纷：回忆录》（Piegues de la memoria）；和（3）表演性的纪念色Violeta，即兴创作的集体即席聚会，是接近歌手和词作者创作想象力的机构。维持Violeta Parra美学的身体，记忆和移情过程激发并扩大了智利的大众文化，这与我们自己的经验联系在一起。在这项研究中，我们以体态的方式来表达对他人的记忆，这是建立我们自己身份的一种可能性。