Abstract:

In his 2015 book Fariña, Nacho Carretero utilizes a sarcastic tone when detailing the criminal landscape that reigned in Galicia, Spain, for decades. This particular satirical wit is also seen in La virgen de los sicarios (1993), by Fernando Vallejo, which explores the cycle of violence and death in Colombia during drug-related violence. The narrator and main protagonist, Fernando, gives an account of the crime and injustice he witnesses with much sarcasm and irony, which leaves the reader perplexed. In this article, I examine the juxtaposition of comedy and tragedy, reality and fiction, represented in Spanish and Colombian narrative. The article questions whether literature, cinema, TV, and more recently, streaming services, are to be blamed for trivializing the crime and the violence that surrounds drug trafficking in all its various shapes and forms, or whether these cultural agents act as social agents promoting positive change by raising awareness of the undeniable and unavoidable deep connection between drug trafficking and violence.

摘要：

纳乔·卡雷特罗（Nacho Carretero）在他2015年的书《法里尼亚（Fariña）》中，在详细描述西班牙加利西亚（Galicia）数十年来统治的犯罪景观时，运用讽刺的语调。这种特殊的讽刺机智也出现在《圣母子报》上（1993），由费尔南多·瓦列霍（Fernando Vallejo）撰写，探讨了与毒品有关的暴力期间哥伦比亚的暴力和死亡循环。叙述者和主要人物费尔南多（Fernando）讽刺和讽刺地讲述了他所目睹的犯罪和不公正现象，这使读者感到困惑。在本文中，我将以西班牙和哥伦比亚的叙述形式探讨喜剧与悲剧，现实与小说的并列。文章质疑是否应责怪文学，电影，电视以及最近的流媒体服务，以平息各种形式和形式的毒品贩运所涉及的犯罪和暴力，或者这些文化行为者是否充当促进社会行为的倡导者通过提高人们对毒品贩运与暴力之间不可否认和不可避免的深层联系的认识，实现积极的变化。