In 1519 Girolamo Alibrandi completed an altarpiece depicting the Presentation of Jesus at the Temple for the Compagnia of the Church of Santa Maria Candelora dei Verdi in Messina. The painting celebrates the service of Candlemas, the titular feast of the church and confraternity. One arresting detail, an open music book, appears in the lower-right quadrant of the work. Despite considerable damage sustained by the altarpiece in Messina’s 1908 earthquake, enough of the text and musical notation in the book is decipherable, allowing us to reconstruct the beginning of a hitherto unknown four-voice setting of Nunc dimittis. No concordant source of this motet has been found, but the artist’s accurate depiction of the music book enables us to identify it as a lost edition issued by Ottaviano Petrucci sometime before the end of 1504. Furthermore, the format, mise-en-page and text underlay suggest that the volume portrayed in the painting was a lauda edition—the kind of publication marketed for and used by confraternities such as the Compagnia della Candelora in Messina.

中文翻译：

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一场地震、一幅受损的画作、一首不为人知的颂歌，以及丢失的 Petrucci 版本

1519 年，Girolamo Alibrandi 完成了一幅祭坛画，描绘了耶稣在墨西拿圣玛丽亚康德罗拉 dei Verdi 教堂 Compagnia 的圣殿。这幅画庆祝圣烛节的服务，这是教堂和兄弟会的名义盛宴。一个引人注目的细节，一本打开的音乐书，出现在作品的右下象限。尽管祭坛画在 1908 年墨西拿地震中遭受了相当大的破坏，但书中足够多的文字和乐谱是可辨认的，使我们能够重建迄今为止未知的 Nunc dimittis 四声部设置的开始。没有找到这首颂歌的一致来源，但艺术家对音乐书的准确描述使我们能够识别它是奥塔维亚诺·彼得鲁奇在 1504 年底之前发行的失传版本。此外，