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On the basis of risk: How screen executives’ risk perceptions and practices drive gender inequality in directing
Gender, Work & Organization ( IF 3.9 ) Pub Date : 2021-05-21 , DOI: 10.1111/gwao.12701
Amanda Coles 1 , Doris Ruth Eikhof 2
Affiliation  

This paper explores how gendered perceptions of risk drive gender inequality. It does so by applying an Intersectional Risk Theory (IRT) framework to new empirical data on gender equality initiatives in the Canadian screen industries. The paper shows (1) that gendered risk perceptions constrain women directors’ work opportunities; (2) that the construction of gendered risk perceptions (“doing risk”) is shaped by the screen industry context and social inequalities generally; and (3) that practices of constructing risk perceptions can be disrupted and changed, which creates opportunities for a “re-doing” or “un-doing” of gendered perceptions of risk and offers new analytical perspectives onto the efficacy of gender equality initiatives. By interrogating how perceptions of risk inform decision-making, the paper contributes new understandings of the drivers of systemic and intersectional inequality as a defining characteristic of work and labor markets in the screen industries and in the creative industries more broadly.

中文翻译:

基于风险:筛选高管的风险认知和实践如何推动导演中的性别不平等

本文探讨了风险的性别观念如何推动性别不平等。它通过将交叉风险理论 (IRT) 框架应用于加拿大银幕行业性别平等倡议的新经验数据来实现这一目标。该论文表明(1)性别风险认知限制了女性董事的工作机会;(2) 性别风险认知(“做风险”)的构建通常受银幕行业背景和社会不平等的影响;(3) 构建风险认知的做法可以被打乱和改变,这为“重新做”或“不做”风险的性别认知创造了机会,并为性别平等倡议的有效性提供了新的分析视角。通过询问风险认知如何为决策提供信息,
更新日期:2021-05-21
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