ABSTRACT

This paper is a Jungian interpretation and exploration of nine paintings completed by Picasso in 1946 in Antibes, France, where he had moved at the end of the German occupation of Paris. The paintings depict the Roman mythological figure of the faun, which served as the agency for Picasso’s archetypal imagination to explore his psyche and lead him on an internal journey to individuation.

中文翻译：

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毕加索和原型想象力

摘要

本文是荣格对1946年毕加索在法国昂蒂布完成的九幅画的诠释和探索，他在德国占领巴黎末期移居那里。这些画描绘了罗马神话中的农神雕像，这是毕加索原型想象力的发源地，旨在探索他的心灵，并带领他进行内部的个性化之旅。