The ‘1968 years’ (1968–1981) witnessed a resurgence of interest in the late 19th-century singer-songwriter and cabaret performer Aristide Bruant (1851–1925). This article explores the social and cultural origins of this Bruant ‘moment’, arguing that it was linked both to a culture of marginality that emerged during the events of May–June 1968 and to a culture of nostalgia (‘la mode rétro’) first identified in 1973. It focuses on five performers who revived or renewed Bruant's legacy during the 1968 years: Mouloudji, Francesca Solleville, Marc Ogeret, François Béranger and Renaud.

中文翻译：

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“Comme une chanson de Bruant”：1968 年的边缘化、怀旧和抗议

“1968 年”（1968-1981 年）见证了对 19 世纪晚期创作型歌手和歌舞表演者阿里斯蒂德·布鲁恩特（1851-1925 年）的兴趣重新抬头。本文探讨了这个布鲁特“时刻”的社会和文化起源，认为它与 1968 年 5 月至 6 月事件期间出现的边缘文化以及首先与怀旧文化（“la mode rétro”）有关。于 1973 年确定。它侧重于在 1968 年恢复或更新 Bruant 遗产的五位表演者：Mouloudji、Francesca Solleville、Marc Ogeret、François Béranger 和 Renaud。