This article is the result of a comprehensive study of folia grounds—usually known as Farinel’s Ground in England—published, copied in or otherwise connected with England, a list of which is provided. A discussion of general characteristics as well as of typical melodic, harmonic and rhythmic features of folia grounds from this period is followed by a comparative analysis of all English folias. These form relatively distinct groups of sources that often share strains, suggesting patterns of transmission particular to division grounds. Lastly, the order of strains in a number of versions is discussed in conjunction with principles outlined in Christopher Simpson’s The Division-Violist (London, 1659) and Thomas Mace’s Musick’s Monument (London, 1676), shedding light on what theorists and composers at the time thought about large-scale structure in division grounds, and in ground-bass compositions in general.

中文翻译：

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Farinel's Ground 和其他 17 世纪末和 18 世纪初英语资源中的“愚蠢”

这篇文章是对在英格兰出版、复制或以其他方式与英格兰有关的叶地（通常称为 Farinel's Ground）进行全面研究的结果，并提供了一份清单。讨论了这一时期叶地的一般特征以及典型的旋律、和声和节奏特征，然后对所有英语叶地进行了比较分析。这些形成了相对不同的来源组，这些来源经常共享菌株，表明特定于分裂场地的传播模式。最后，结合 Christopher Simpson 的 The Division-Violist (London, 1659) 和 Thomas Mace 的 Musick's Monument (London, 1676) 中概述的原则讨论了多个版本中的菌株顺序，