summary:

In Horace's two-stanza ode Montium custos (Carm. 3.22), what is the connection between (stanza 1) Diana, goddess of midwifery and the slave women in childbirth and (stanza 2) Diana's pine tree and sacrifice of a boar to it? The whole line 7, with slant-attacking boar/pig of sacrifice also describes the slant-singing poet, master of the Sabine farm. The metapoetic technique, here called the Janus-trope, and the theme, reproduce the technique and the slave/poetry theme of Epist. 1.20.1–2. Recognizing the previously unobserved portrait of Horace leads to understanding the unity of the ode (stanza 1: childbirth; stanza 2: poembirth).

概括：

在贺拉斯的两节颂歌Montium保管人（CARM 3.22），什么是助产（节1）戴安娜女神和奴隶的妇女在分娩和（节2）戴安娜的松树和野猪给它的牺牲之间的联系？整行7，以偏向野猪/牺牲的猪为食，还描述了偏向歌唱的诗人，萨宾农场的主人。形而上学的技巧，在这里被称为Janus-trope和主题，再现了Epist的技巧和奴隶/诗歌主题。1.20.1–2。认识到以前从未观察到的贺拉斯肖像，可以理解颂歌的统一性（第1节：分娩；第2节：诗集）。