This article demonstrates how the availability of music platforms, the guidance of online tutorials and user-friendly affordances of software interfaces have democratised the making of electronic music. Software users traverse new forms of technology as part of their social and cultural selves, the confluence of musical affiliation and specific social media platforms supporting the production and exploration of identity. Case studies of women and non-binary identifying music-makers highlight digitisation’s role in enabling creative agency. Music emerging through these processes evidences a stylistic fluidity that indicates its means of construction, using the sampling, pitch, and time-stretching capabilities of the digital audio workstation. Digitisation provides the inspiration of a world of music and the means and knowledge of how to make it, allowing musical, personal and collective subjectivities to be explored.

本文演示了音乐平台的可用性，在线教程的指南以及用户友好的软件界面功能如何使电子音乐的制作民主化。软件用户遍历新技术形式，作为其社会和文化自我，音乐从属关系和支持身份产生和探索的特定社交媒体平台的融合。对女性和非二进制音乐创作者的案例研究突显了数字化在促进创意代理方面的作用。通过这些过程出现的音乐证明了风格上的流动性，使用数字音频工作站的采样，音调和时间拉伸功能来指示其构造方式。数字化为音乐世界提供了灵感，以及音乐创造的方式和知识，