The experiences of cruise ship passengers are influenced by cinematic representations and intensified and (re)produced by cruise operators. This paper conceptualises cinematic cruising as a phenomenon of reel and real spaces between imagination and experience for pleasure on the high seas. To date, the influence of cinematic representations on the experience of cruise passengers has not yet been studied in detail. To address this, our argument builds on the comparability of cinemas and cruise ships. They share similar characteristics as modern and postmodern places, as heterotopias, and as places of dreams. Both are places of illusion, places of compensation, and places where one can escape from everyday life; they take moviegoers and passengers to their places of desire. The following analysis illustrates the impact that films, television series and docu-series have on passengers’ imaginations who physically experience film-like situations on cruise ships. When compared to cinemas, the perception there is not limited to just audiovisual factors. Building on this, cinematic cruising might fulfil the dreams, desires, and longings of passengers, at least on the level of imagination.

游轮乘客的体验会受到电影形式的影响，并会受到游轮运营商的强化和（再）再现。本文对电影巡游进行了概念化作为一种卷筒现象，是想象力和经验之间在公海乐趣之间的真实现象。迄今为止，尚未详细研究电影制图对邮轮乘客体验的影响。为了解决这个问题，我们的论点建立在电影院和游轮的可比性上。它们具有与现代和后现代场所，异质症和梦想场所相似的特征。两者都是幻想的地方，补偿的地方，以及一个人们可以摆脱日常生活的地方。他们将观影者和乘客带到他们想要的地方。以下分析说明了电影，电视剧和纪录片系列对乘客的想象力的影响，这些想象力是在邮轮上亲身经历电影般情况的。与电影院相比 感知不仅限于视听因素。在此基础上，电影巡游至少可以在想象的水平上实现乘客的梦想，愿望和渴望。