ABSTRACT

This essay will explore the constitution of a transcendental theory of space through an examination of the notion of spatial synthesis in the works of Husserl, Paliard, and Deleuze. First, we shall explore the constitution of the sensorial fields in Husserl’s phenomenology. In Husserlian terms, space is not originally an empty form that can eventually be filled with a certain empirical content. Accordingly, the philosopher claims that spatiality is a consequence of the immanent synthesis of sensations. Then, we will move on to Jacques Paliard’s psychology of perception, where we will find both aesthetic and noetic synthesis as transcendental conditions for the perception of space. Lastly, we will explore Deleuze’s theory of intensive space, specifically the concept of depth developed in a dialogue with Paliard. This comparative analysis shows that purely intensive fields of individuation are a transcendental a priori for the perception of an extensive space.

摘要

本文将通过研究胡塞尔（Husserl），帕里亚德（Paliard）和德勒兹（Deleuze）的作品中的空间综合概念，探索一种超验的空间理论的构成。首先，我们将探讨胡塞尔现象学中感官场的构成。用胡塞尔的话来说，空间最初并不是一个空的形式，最终可以充满一定的经验内容。因此，哲学家声称空间性是感觉的内在综合的结果。然后，我们将继续研究雅克·帕拉德（Jacques Paliard）的感知心理学，在这里我们将发现审美和理性综合都是对空间感知的先验条件。最后，我们将探讨Deleuze的密集空间理论，特别是与Paliard对话中发展出来的深度概念。