ABSTRACT

Throughout The History of the Nun’s hetero-romance plot, Behn creates serial queer doublings which work structurally with other formal effects to queer gender itself, revealing the limits of hetero- cisgendered categories. The novel uses the formal conventions of space and time and the themes of writing/telling/reading to gesture toward the capacious possibilities of gender and to lay bare the limits, not only of binary notions of gender, but also of limiting social structures, including narration itself.

中文翻译：

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“ [T]帽子在哪里，那里在另一个”：阿弗拉·贝恩（Aphra Behn）的《修女的历史》或《公平的誓约者》（1689）中的酷儿故事梦

摘要

在整个《修女异性恋情节的历史》中，贝恩创建了一系列酷儿加倍，在结构上与其他形式效果一起用于性别本身，从而揭示了异性恋性别类别的局限性。小说使用时空的形式惯例和写作/说/读的主题来表达性别的无限可能性，并揭露了不仅是性别二元概念的局限性，而且还揭露了限制社会结构的局限性，包括叙述本身。