ABSTRACT

This article examines the way in which the Israeli-Palestinian conflict, Israel and the Israelis are reflected in contemporary Palestinian writing in Jordan, taking the work of Nablus-born Jordanian author Samia ʿAtʿut as a case study. The article shows how, on the one hand, ʿAtʿut uses literary writing as a tool to reflect the mood of the people in relation to the Palestinian issue. On the other hand, through writing full of obscurity, sophistry and deception, and by the incorporation of political-national texts within collections of stories dealing mainly with social issues, ʿAtʿut manages to prevent her writing from being perceived as ideological, and transforms her work into texts that carry a deep and universal social message. The article shows that the Israel-Jordan peace agreement, the Jordanian establishment’s changing attitudes toward Israel, the contemporary trends of ‘personal’ literary writing, and the attempt to understand the ‘other’ that exists in the literary works of other contemporary female writers – all fail to overcome the writer’s abrasive opinions, which she expresses in seemingly ideological writing.

中文翻译：

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约旦当代巴勒斯坦文学中的刻板印象和妖魔化：以色列和萨米亚·阿图特（SamiaʿAtʿut）作品中的以色列人

摘要

本文考察了以巴冲突，以色列和以色列人在约旦的当代巴勒斯坦著作中所反映的方式，并以纳布卢斯出生的约旦作家萨米娅·阿图特（SamiaʿAtʿut）的作品为例进行了研究。这篇文章一方面显示了ʿAtʿut如何利用文学作品作为一种工具来反映人们对巴勒斯坦问题的情绪。另一方面，throughAtutut通过充斥晦涩，诡辩和欺骗的写作，以及将政治国家文本纳入主要处理社会问题的故事集中，设法防止她的写作被视为意识形态，并改变了她的作品成为带有深刻而普遍的社会信息的文本。文章显示，以色列和约旦的和平协议，