ABSTRACT

During the 1950s, Luis Mariano was the main star of French film musicals. Born in Spain, but exiled to France after the beginning of the Spanish Civil War, the artist starred in several successful French-Spanish co-productions such as Andalousie/El sueño de Andalucía (1951), Violettes impériales/Violetas imperiales (1952) or Le chanteur de Mexico/El cantor de México (1956). This article analyses Luis Mariano’s stardom from a transnational perspective. Although some French scholars have started to study it within the framework of French cinema, Luis Mariano’s stardom worked in very different ways in Spain, as it implied and generated multiple tensions related to gender, queerness and national identity. Moreover, these tensions caused the introduction of changes in the films to adapt them to the Spanish audiences. Through the analysis of films, reviews, press articles, censorship documents and biographies, among other media texts, this article compares the results of the research on Luis Mariano in France with the investigation of his stardom in Spain, in order to evidence different relationships of the audiences of each country with the star and how he was read and received in diverse ways in each national context.

摘要

在 1950 年代，路易斯·马里亚诺 (Luis Mariano) 是法国电影音乐剧的主要明星。出生于西班牙，但在西班牙内战开始后被流放到法国，这位艺术家出演了几部成功的法西合拍作品，如Andalousie/El sueño de Andalucía (1951)、Violettes impériales/Violetas Imperiales (1952) 或Le chanteur de Mexico/墨西哥歌唱家（1956 年）。本文从跨国视角分析路易斯·马里亚诺的明星地位。尽管一些法国学者已经开始在法国电影的框架内研究它，但路易斯·马里亚诺的明星身份在西班牙以非常不同的方式发挥作用，因为它暗示并产生了与性别、酷儿和民族认同相关的多重张力。此外，这些紧张局势导致电影中引入了一些变化，以使其适应西班牙观众。通过对电影、评论、新闻文章、审查文件和传记等媒体文本的分析，本文将法国路易斯马里亚诺的研究结果与他在西班牙的明星调查结果进行了比较，