The texts of Leslie Kaplan question the irreducible opposition between the real and the non-real. Her characters and their intentional absence confuse the repository and fictional worlds, not only to point out the thin margin between reality and fiction, but to underline the impossible delimitation between the real and the fictional, or even between the text and the world. This article studies the characters of Kaplan and aims to demonstrate their identity crisis through the study of their literary onomastic and the use of the neutral pronoun ‘it’ and allegoric expressions. In addition, the objective of this article is to shed light on the Kaplanian characters as Kunderian models, while stressing the particularity of their physionomy, which consists to present ‘fuzzy’ characters that are present and absent at the same time, engaging the reader in the fictional process as a try to complete the missing details. This article concludes that the Kaplanian characters are not only the prototypes of the postmodern being, but they are also introverted, psychopaths and a demonstration of different facets of the unconscious.

莱斯利·卡普兰（Leslie Kaplan）的文章质疑真实与非真实之间不可还原的对立。她的角色及其有意的缺席使资料库和虚构世界混淆不清，不仅指出了现实与虚构之间的薄弱界限，而且突显了真实与虚构之间，甚至文本与世界之间不可能的界限。本文研究了卡普兰的性格，旨在通过研究他们的文学反感以及使用中性代词“ it”和寓言表达来证明他们的身份危机。此外，本文的目的是阐明Kaplanian字符作为Kunderian模型的同时，强调其生理学的特殊性，即表现出同时存在和不存在的“模糊”字符，让读者参与虚构的过程，以尝试完成缺失的细节。本文得出的结论是，卡普兰式的角色不仅是后现代生物的原型，而且是内向的，精神变态的，并且是无意识的不同方面的体现。