ABSTRACT

Tejaswini Niranjana is one of the important Indian cultural theorists. In Musicophilia in Mumbai: Performing Subjects and the Metropolitan Unconscious, she examines the emergence of Hindustani classical music in Mumbai, bringing together the notion of sociality and subjectivity to throw light on an important aspect of how publics are formed in the non-western metropolis. The roundtable joined by Professor Niranjana and the other five scholars touches upon issues such as the metropolitan unconscious, musicophilia, and migratory cultures, while also discussing the question of teacher-student relationship, the importance of inter-referencing and the possibility of creating new spaces of discussion.

摘要

Tejaswini Niranjana是印度重要的文化理论家之一。在《孟买的音乐爱好者：表演主体和都市无意识》中，她考察了孟买的印度斯坦古典音乐的出现，并结合了社会性和主体性的概念，以阐明公众如何在非西方大都市中形成的重要方面。Niranjana教授和其他五位学者参加的圆桌会议探讨了都市无意识，音乐交往和移民文化等问题，同时还讨论了师生关系问题，相互参照的重要性以及创造新空间的可能性讨论。