ABSTRACT

This article identifies the specific features of the original style of production designer and director Valentin Kadochnikov (1912–42) in his work on adapting fairy tales for the cinema in the 1930s–1940s. For this purpose, the article introduces previously unknown archival documents and evidence into the scholarly discourse, and adds new features to the creative portraits of Russian directors Sergei Eisenstein, Aleksandr Ptushko and Valentin Kadochnikov. The article provides an overview of archival sources, letters and director’s concepts. The analysis of the artistic structure of the films Ruslan and Ludmila (dir. Ptushko, 1972), New Moscow (Novaia Moskva, dir. Aleksandr Medvedkin, 1938), The Magic Seed (Volshebnoe zerno, dir. Kadochnikov, 1941) and the drafts for a film based on the Kazakh epic poem Kozy Korpesh are used to demonstrate how the poetics of Eisenstein and Ptushko influenced Kadochnikov’s films.

摘要

本文确定了制作设计师兼导演瓦伦丁·卡多奇尼科夫（Valentin Kadochnikov，1912–42）在为1930至1940年代的电影改编童话作品中的原始特征。为此，本文将先前未知的档案文件和证据引入学术讨论，并为俄罗斯导演谢尔盖·爱森斯坦，亚历山大·普图什科和瓦伦丁·卡多奇尼科夫的创作肖像增添了新的特色。本文概述了档案资料，信件和导演的概念。电影Ruslan和Ludmila（目录：普图什科，1972），新莫斯科（新莫斯科（Novaia Moskva），目录Aleksandr Medvedkin，1938），魔术种子（Volshebnoe zerno）的艺术结构分析，目录。Kadochnikov，1941年）和一部以哈萨克史诗《Kozy Korpesh》为基础的电影草稿被用来证明爱森斯坦和普图斯科的诗学是如何影响Kadochnikov的电影的。