Abstract

Referring to Senancour’s Oberman, Hölderlin’s Hyperion and Carl David Friedrich’s painting Wanderer above the Mists, this paper attempts to figure out the romantic approach to sky and clouds as cultural, artistic, and philosophical symbols. Considered as an unlimited space, the sky is an endless matter of meditation regarding human finitude. In several European countries, the recent experience of lockdown has revived this meditation in new terms: notable changes in the sky’s appearance suggest that our environment cannot only be regarded as our property, of which we are the guardians; it requests a poetic attention that helps us face the limitless world.

摘要

参照Senancour的奥伯曼，荷尔德林的海波和卡尔·大卫·弗里德里希的绘画流浪汉迷雾之上，本文试图找出浪漫的方式来蓝天白云文化，艺术和哲学符号。天空被认为是无限的空间，它是关于人类有限性的无休止的冥想问题。在几个欧洲国家中，最近的锁定经验以新的方式恢复了这种冥想：天空外观的显着变化表明，我们的环境不能仅被视为我们的财产，而我们是我们的监护人。它需要诗意的关注，以帮助我们面对无限的世界。