ABSTRACT

The masculine façade of the music Conservatoire belies the extent to which these establishments fostered close relationships between women. This article analyses the student cohorts of the Paris and St Petersburg Conservatoires in the early twentieth century, to show that women made up a formidable presence and created supportive communities within these institutional frameworks. It argues that these relationships not only facilitated women’s involvement in public cultural life, but also impacted their private experience of music and listening, as illustrated by the close musical bond between sisters and conservatoire alumnae, Lili and Nadia Boulanger.

摘要

音乐学院的男性化外表掩盖了这些机构在多大程度上促进了女性之间的密切关系。本文分析了 20 世纪早期巴黎和圣彼得堡音乐学院的学生群体，以表明女性在这些制度框架内构成了强大的存在并创造了支持性社区。它认为，这些关系不仅促进了女性参与公共文化生活，而且影响了她们对音乐和聆听的私人体验，正如姐妹与音乐学院校友 Lili 和 Nadia Boulanger 之间的密切音乐纽带所说明的那样。