In this paper I aim to show how a meaningful correlation can be made between the two mystical traditions of Kabbalah and Tantra by drawing upon ideas from the philosophy of art and aesthetics, especially as it relates to the intersection of images and words. A common leitmotif is that both of these traditions nominate a perception of God which through its manifold expression can be realized as a work of art. It represents a creative response to envisioning or “seeing” the divine realm, one that is renderable by the artist-writer on the material support of the enunciation. As an intentional account of his experiential consciousness of being with God, the artifact is aesthetically designed for the edification of the reader. A comparative connection between the two traditions can be found in this depictive and linguistic endeavor.

在本文中，我旨在展示如何通过借鉴艺术哲学和美学哲学的思想，尤其是与图像和文字相交的方式，在卡巴拉和坦特拉这两个神秘传统之间建立有意义的关联。一个共同的主旨是，这两个传统都提名了对上帝的理解，通过它的多种表达可以将其理解为一件艺术品。它代表了对设想或“看到”神圣境界的一种创造性反应，艺术家-作家可以在阐述所表达的物质支持下对其进行渲染。作为对他与上帝同在的体验意识的有意说明，该手工艺品经过美学设计，旨在激发读者的兴趣。在这种描述性和语言性的尝试中可以找到两种传统之间的比较联系。