10 Rillington Place names the site of temporally extensive practices of murder (1943–1953), and offers an empirical entry point for critically advancing the conceptual innovations of relational approaches to the criminological study of ‘home’. In so doing, the paper, firstly, (re)conceptualises serial homicide as practice, more specifically as a mode of domestic labour which materialises in and is enacted through the relational dynamics of everyday residential life; and secondly, rejects the notion of ‘home’ and argues for the concept of dwelling to better capture the active, generative and fluid dynamics of domestic life. This subtle shift in conceptual approach acknowledges how domus horribilis is etched from, and woven through the topological entanglements of everyday and extreme practices, and moves us toward an alternative set of conceptual commitments in our research of domestic space. Drawing from a mixed portfolio of cultural media (including archival, epistolary, journalistic, photographic, filmic, architectural, museological and dramaturgical data), the paper takes forward Schatzki’s site ontology as an organising framework for practice-based analytics, and advances the critical insights of an embryonic criminology of the domestic.

10 Rillington Place指出了在时间上广泛实施谋杀行为的地点（1943-1953年），并提供了一个经验性的切入点，以批判性地推进关系方法的概念创新，以进行“家庭”犯罪学研究。通过这样做，本文首先将（连）概念性的系列凶杀作为一种实践，更具体地讲，是作为一种家庭劳动的一种模式，这种模式在日常生活中的关系动态中得以体现并得以体现；其次，拒绝“住所”的概念，并提出居住的概念，以更好地捕捉家庭生活的活跃，生成和流动的动态。概念方法的这种细微变化确认了domus horribilis是如何从日常和日常的拓扑缠结中蚀刻出来并编织而成的。极端的做法，使我们朝着对家庭空间研究的另一套概念性承诺迈进。本文借鉴了混合的文化媒体资源（包括档案，书信，新闻，摄影，电影，建筑，博物馆学和戏剧数据），提出了Schatzki的网站本体作为基于实践的分析的组织框架，并提出了重要的见解。国内的胚胎犯罪学。