This article considers two comedy sketches that poke fun at cabin culture, a key praxis in contemporary Norway. The sketches are examples of what philosopher Simon Critchley calls «comedy of recognition», reflecting rather than challenging common experiences and beliefs. Focusing on the attitudes held by men and women toward cabins, the article examines how in particular masculinity is experienced and performed in this setting. The article concludes that cabins express complex feelings connected to personal, gender and national identities, and that they are therefore an apt vehicle for comedy about what it means to be Norwegian today.

中文翻译：

---

Hytte-humor – om sanitetsbind ogbegjær

本文考虑了两个喜剧性的素描，它们在机舱文化中颇为有趣，这是当代挪威的一项重要实践。这些草图是哲学家西蒙·克里奇利（Simon Critchley）所说的“承认喜剧”的例子，反映了而不是挑战共同的经验和信念。着眼于男性和女性对机舱的态度，本文考察了在这种情况下如何特别体验和表现男性气质。文章得出的结论是，客舱表达了与个人，性别和民族身份有关的复杂感觉，因此，它们对于今天的挪威人来说是喜剧的恰当载体。