This article addresses the theoretical dimensions of the consolidation of identity and formal expression in the historiography of the painter Chaïm Soutine (1893–1943), including the central place of his Jewish identity in it. It contends that the anormative historical archive related to Soutine and the centrality of the expressive object in the criticism on him have obscured his historiographical significance in favor of a synchronic singularity. Portraits of and by Soutine and his contemporaries will be used to offer alternative approaches to the interpretation of the artist and his paintings.

中文翻译：

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ChaïmSoutine绘画中的史学和否定性

本文讨论了画家查伊姆·苏丁（ChaïmSoutine，1893- 1943年）的历史学中身份和形式表达巩固的理论维度，包括犹太身份在其中的中心位置。它认为与苏丁有关的定格历史档案以及表达对象在对他的批评中的中心地位掩盖了他的史学意义，而主张共时奇异。Soutine和他的同时代人的肖像将被用来为艺术家和他的画作提供替代性的解释方法。