Abstract:

The aim of this article is to analyze some aspects of the novelette La agonía de Madrid o la cola del cometa, published in 1910 by the Galician writer Ramón María Tenreiro. My main purpose is to show how the political meaning and ultimate reading effect of the text stems from the coalescence of various strategies: on the textual side, a double genre adscription which blends the sentimental novel or folletín with science fiction, the manipulation of the implicit audience, and a metaliterary epilogue; on the paratextual side, a careful staging of the circumstances of publication, mainly the perverse use of the cover illustration and the deliberate choice of the date of release, marked by nothing less than the fear of the end of the world.

摘要：

本文的目的是分析1910年由加利西亚作家RamónMaríaTenreiro出版的中篇小说《马德里竞技场》。我的主要目的是展示文本的政治含义和最终阅读效果是如何从各种策略的结合中产生的：在文本方面，双重体裁的描述将感伤的小说或小说集与科幻小说融合在一起，对隐含的操纵听众，以及元文学的结尾；在超文本方面，对出版情况进行了仔细的分期，主要是对封面插图的错误使用以及对发行日期的故意选择，这无非是对世界末日的恐惧。