Abstract:

This study proposes to examine Roberto Bolaño's creative reception of Hermann Broch's novel. A parallel reading of both texts leaves no doubt that Bolaño was acquainted with the Austrian novel and reworked it creatively when writing his own novel Nocturno de Chile. The strongest similarities are the structure (on his deathbed, a writer looks back at his life, arguing with the imaginary figure of a boy who represents the writer himself when he was young) and the very critical discussion of the issue of aestheticism. However, while Broch takes his first-person narrator, Virgil, seriously, Bolaño parodies his first-person narrator, Urrutia Lacroix.

摘要：

这项研究建议考察罗伯托·波拉尼奥对赫尔曼·布罗奇小说的创造性接受。同时阅读这两种文本，毫无疑问，博拉尼奥对奥地利小说有所了解，并在撰写自己的小说《智利夜曲》时对其进行了创造性的改造。最强烈的相似之处是结构（在他的临终前，一位作家回头看自己的生活，与一个想象中的男孩代表作者本人的想象中的人物进行争论）以及对唯美主义问题的非常批判性的讨论。但是，在Broch认真对待第一人称叙述者维吉尔的同时，Bolaño模仿了第一人称叙述者Urrutia Lacroix。