Abstract:Interrupting an article on surrealist politics in 1935, André Breton reproduced three brand-new poems by Paul Éluard, Benjamin Péret, and Salvador Dalí to make a particular point. Although the poems were written in radically different styles, he explained, he admired them for their depth of feeling, richness of intuition, and lively structure. In the eleven years that had passed since the first surrealist manifesto, the movement had attracted some marvelous poets who had learned how to extract the maximum effect from their imagery.

中文翻译：

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安德烈·布勒东和三位超现实主义诗人

摘要：安德烈·布列东 (André Breton) 在 1935 年打断了一篇关于超现实主义政治的文章，再现了保罗·艾吕雅、本杰明·佩雷 (Benjamin Péret) 和萨尔瓦多·达利 (Salvador Dalí) 的三首全新诗篇，以突出重点。他解释说，尽管这些诗的风格截然不同，但他钦佩它们的情感深度、直觉的丰富性和生动的结构。在第一次超现实主义宣言发表后的十一年里，这场运动吸引了一些了不起的诗人，他们学会了如何从他们的意象中提取最大的效果。