Abstract:

This article analyzes the "political" columns, composed during the siege and Commune of Paris, of Emmeline Raymond, editor-in-chief of La Mode illustrée. Not surprisingly, the author of the most bourgeois of fashion journals bears witness to history by critiquing first the invading Germans and then the enemy from within, the Communards. But her columns also reveal an unwitting sympathy with certain principles animating the Commune's social and political unrest, ultimately proposing fashion reforms that explicitly critique Second Empire excess and target the fashion system itself.

中文翻译：

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当Fashion Stood Still时：从la modeassiégée到la mode耐用

摘要：

本文分析了《巴黎模式》主编埃米琳·雷蒙德（Emmeline Raymond）在巴黎被围困和公社期间撰写的“政治”专栏。毫不奇怪，最时尚的资产阶级杂志的作者通过首先对入侵的德国人，然后对内部的敌人Communards进行了批判来见证历史。但她的专栏文章也揭示了对使公社的社会和政治动荡不安的某些原则的不知情的同情，最终提出了明确批评第二帝国过分并针对时尚体系本身的时尚改革。