Abstract:

The only treatment of the Paris Commune in the pages of Germany's most popular illustrated weekly, the Gartenlaube, in 1871 was a sympathetic portrayal of a woman executed on the false allegation of being a pétroleuse. This essay introduces the article, "She Smelled of Petroleum," and its accompanying wood engraving, "Street Execution after the Taking of Paris," in the context of German reactions to the Paris Commune, the international circulation of images of the pétroleuse, and the mission of "family magazines" like the Gartenlaube. The article and illustration both echoed and responded to the broader international media response to the Commune, and, in keeping with the magazine's domestic perspective, anchored the story of the semaine sanglante in the tragedies experienced by women.

摘要：

在1871年德国最受欢迎的插图周刊《加滕劳伯》中，对巴黎公社的唯一待遇是同情地刻画了一名妇女，因为她被误以为是石油公司而被处决。本文根据德国对巴黎公社的反应，国际石油影像的传播以及德国对巴黎公社的反应，介绍了文章“她闻到了石油”及其随附的木版画“占领巴黎后的街道处决”。像Gartenlaube这样的“家庭杂志”的使命。这篇文章和插图都回应并回应了国际媒体对公社的广泛回应，并且按照该杂志的国内观点， 在妇女经历的悲剧中。